Death On The Nile (2022, dir. Kenneth Branagh)

Hercule Poirot joins a wedding party in Egypt: murder follows. This second Branagh Agatha Christie adaptation suffers like its predecessor from plasticky production values, over-direction, and a too-serious approach to the material. It livens up eventually, but the Ustinov version is still way more fun.

Here’s the trailer:

Death on the Nile (1978, dir. John Guillermin)

Hercule Poirot holidays in Egypt; murder is soon afoot. Quasi-sequel to Murder on the Orient Express. Breezy escapist fun with a rich cast of character actors and bright young things hamming/preening respectively, though its clumsy treatment of non-whites plays as racist rather than as innocent comic relief.