The Book of Henry (2017, dir. Colin Trevorrow)

A child genius suspects that his neighbour and classmate is being abused. Odd drama that tries for poignant and quirky but ends up too often as mawkish and clumsy. Some points for the attempt and for some minor design elements, but this is a misbegotten film.

Here’s the trailer.

Scary Stories to Tell in the Dark (2019, dir. Andre Ovredal)

One Halloween, a gang of geeky teens disturb a fabled local ghost. Starts well, but soon gets bogged down in undernourished anthology stories and a pedestrian puzzle seen a hundred times before. Interesting late 60s setting, though never made relevant to the narrative.

The Negotiator [AKA Beirut] (2018, dir. Brad Anderson)

An ex-diplomat is recalled to Beirut to negotiate a hostage release. Generally smart thriller which downplays the geopolitics of the region and wisely focuses on multiple warring groups after the same prize. Solid direction and unshowy playing helps.

Death Wish (2018, dir. Eli Roth)

After his wife is murdered in a home invasion, a mild-mannered doctor turns vigilante. Tonally-inconsistent remake of the 70s Bronson flick. Horror and black comedy elements along with the violent action, and flirtation with Willis/Kersey as psychotic. Not uninteresting in its way.

Want another opinion? Here’s Xussia’s take.