The King’s Man (2021, dir. Matthew Vaughn)

The origins of an independent spy agency, set against the Great War. Messy and inconsistent prequel, showcasing series strengths (brio, some startling moments) and weaknesses (tonal awkwardness) in equal measure. A freewheeling approach to both history and emotion throughout render this flashy, but empty.

Here’s the trailer.

Entebbe [AKA 7 Days in Entebbe] (2018, dir. Jose Padilha)

Dramatization of an infamous 1976 plane hijacking, and the subsequent rescue mission. Even-handed but glum retelling which doesn’t know how to approach its subject, meaning the end result is neither political allegory, action drama or straight history. Disappointing.

The Cloverfield Paradox (2018, dir. Julius Onah)

A space station tasked with saving the Earth from energy crisis is transported to a parallel dimension. Good-looking, well-cast, but dumb-as-rocks sidequel to Cloverfield / 10 Cloverfield Lane that steals indiscriminately (Gravity to Evil Dead II) but can’t settle in terms of tone or logic.