Chaos Walking (2021, dir. Doug Liman [and Fede Alvarez])

On a world where male thoughts are visualised, a young man helps a stranded female astronaut. Ham-fisted loose adaptation of Patrick Ness’s The Knife of Never Letting Go. OK performances help, but a cut-and-shut script and dangling subplots evidence the movie’s troubled production.

Here’s the trailer.

Star Wars: The Rise of Skywalker [AKA Episode IX: The Rise of Skywalker] (2019, dir. JJ Abrams)

Forces align for a last battle between the resistance fighters and the Empire to prevent a Palpatine victory. Patchy finale to the nine-film arc which, despite stirring stuff, plus effective comic moments and detail, fails to convince in its lack of climactic story and its course-correction rewriting of the previous movie. A shame, as the new crew have earned some affection.

Murder On The Orient Express (2017, dir. Kenneth Branagh)

Hercule Poirot must investigate a killing on a sumptuous cross-Europe train. Handsome and starry, this Agatha Christie adaptation struggles to showcase its cast or its plot, so while not-entertaining, feels a bit mechanical.

Star Wars: The Last Jedi [AKA Episode VIII: The Last Jedi] (2017, dir. Rian Johnson)

The last remnants of the rebellion flee the First Order. Superior eighth instalment of the space opera, daring to ring a few changes on the template re-established by its predecessors while bringing new characters further to the fore.

Other opinions? Here’s Lemonsquirtle’s, and here’s Xussia’s.

 

Star Wars: The Force Awakens (2015, dir. JJ Abrams)

Chapter 7 in the Skywalker saga. This rebooted SF/fantasy is a calculated pleasure, riffing on no end of series themes and on the structure of the 1977 movie in particular. Slightly soulless, but a decent reintroduction to the mythos.