Domino (2019, dir. Brian De Palma)

A Copenhagen detective tracks down the terrorist responsible for his partner’s death. By-the-numbers thriller with a few flourishes typical of its director (a Vertigo reference here, a fascination with screens and technology) but also a flat script and a lack of enthusiasm for its rote story and characters throughout.

Gemini Man (2019, dir. Ang Lee)

An elite assassin on the verge of retirement is targeted for execution. A good-looking action flick that takes ages to tell us what the poster does. One great action sequence aside, it’s underpowered, though a game support cast of Brit character actors do their best with none-more-90s material.

Fractured (2019, dir. Brad Anderson)

A woman and daughter go missing in an ER. Crisp, clean paranoid conspiracy thriller engaging with the director’s recurring themes of guilt and paranoia. The kind of professional, lean, efficient movie they don’t make too many of any more. Recommended.

Species II (1998, dir. Peter Medak)

The first Mars mission returns an alien infection to Earth. Trashy and at times bad taste sequel which – a couple of knowing/funny moments aside – focuses on female nudity, cut-price creature effect-based gore, rape fascination, and shouty characters doing dumb things. For Martian completists only.

Point Blank (2019, dir. Joe Lynch)

A trainee doctor is forced to go on the run with an escaped prisoner. Straightforward chase thriller that holds itself together via its lead performances. The usual double-crosses and switches, though the movie undercuts its committed leads with some awkward comedic juxtapositions and musical cues.

The Happytime Murders (2018, dir. Brian Henson)

A puppet PI and his former partner team up to solve a series of murders. It nearly works, but the emphasis on gross-out humour instead of playing the Roger Rabbit-ish concept means that some good moments, decent playing and undoubted technical expertise all get lost.

Incoming (2018, dir. Eric Zaragoza)

Escaped terrorists take over the ISS, now a CIA black site. High-concept low-budget prison escape movie with an SF twist. Unfortunately, despite Adkins’ professionalism and some ambition, this is a tatty effort that doesn’t even deliver in its fight sequences.

The Girl in the Spider’s Web (2018, dir. Fede Alvarez)

Lisbeth Salander tracks down a stolen computer program. Well-directed but soulless Nordic thriller with a checklist of plot elements familiar to many; family secrets, code-carrying savant child, computer shenanigans. Oddly action-oriented, which misses the point of the source material.

Mission Impossible: Fallout (2018, dir. Christopher McQuarrie)

Ethan Hunt and his team battle a nuclear conspiracy involving followers of Solomon Lane. Splendid series continuation from Part 5 (MI: Rogue Nation), with hugely-impressive stuntwork and the usual emphasis on twists and double-crosses. Recommended.

Jack Reacher (2012, dir. Christopher McQuarrie)

Reacher investigates a mass-murder committed by a former sniper. First and better of the Tom Cruise adaptations of the Lee Child books, with a focus on old-school lo-fi tough guy thrills, and on a reasonable mystery backed up with excellent character acting.