Two survivors of a murderous escape room decide to take on the corporation masterminding the games. Okay sequel that does much the same as before, though which seeks to expand on the franchise. Not all of it works, but this is brisk and sometimes creative fun for subgenre fans (an extended version adds another subplot).
An American tourist in Greece goes on the run after he becomes embroiled in a conspiracy. Somewhat baggy old-school (think Frantic) Euro-thriller mixing up kidnapping, corrupt cops, and political protests. The location work is great, but there’s a lack of urgency and – Boyd Holbrook aside – no sense that this is a genre movie.
The final part of the trilogy: events and characters between 1994 and 1666 are linked. A messy finale saddled with an offstage villain, variable accents, a weird lack of interest in its potentially-good ideas, and an hour of padding. Not great at all: precisely one interesting visual moment.
An ex-cop investigates the disappearance of a friend’s teen daughter. Dazzling in parts, this long, uneven but ambitious and compelling horror-ish movie is well worth your time and patience. Genre fans will know where it’s going, but there’s great stuff throughout, and James Badge Dale is as terrific as ever.
A new mining post security chief on a Jupiter moon investigates a series of deaths. A weak script and iffy science undermine this great-looking SF thriller (emulating Alien and clearly influential on early James Cameron). Doesn’t really deliver on its High Noon in Space promise.
Michael’s niece has a child: the baby is at the centre of a cult’s attempts to harness the energies compelling Michael Myers. Some distance from the linear plotting of the first films, this conclusion to the arc begun in Part 4 is soapy, scrappy, scattershot: only for indulgent series and Paul Rudd completists.
A suburban dad is drawn to a Wyoming mountain after a close encounter with an unidentified flying object. Still hugely-effective blend of heart and smarts: perhaps Spielberg’s most complete film, mixing technical excellence with quest narratives, hard SF and senses of innocence and wonder.
Sherlock Holmes’ younger sister Enola investigates their mother’s disappearance. Handsomely-produced but wildly inconsistent Victorian teen detective romp. A strong cast and good production values help, but a weak and smug script scuppers the enterprise as a whole, despite fun moments.
A lawyer investigates an environmental conspiracy linked to chemical company Dupont. Based on a true story, this sober drama is deliberate and effective. Oddly, the weak link is producer/star Ruffalo, who’s simply 20 years too old to be playing the lead, despite his sterling efforts. A sturdy cast of character actors helps things along.
Two men work to find missing family members; an interdimensional conspiracy is revealed. Modest Vietnam-set martial arts action with an SF/fantasy twist. No dafter than, say, Doctor Strange, but interesting to see attempted at this budget level. Very competent fight choreography is the selling point here. Ignore the poster; nothing to do with the movie!