A reclusive vigilante meets his nemesis. Skilful if lengthy revisiting of the caped crusader, here early in his career and focused at least in part on actual detective work. Impressive and never less than proficient throughout in a Seven-ish kinda way, if not exactly necessary. A confident walk down a well-worn path.
A troubled assassin returns to her home city, but complications arise. Neither full-on action thriller or character-led drama, Ava works best simply as a star vehicle for its producer Chastain. A decent if typecast set of supporting players helps, but there’s little fresh brought to the table here.
A London-based drug dealer’s empire is threatened by rival forces and a blackmailer. Fourth and about the best of Ritchie’s gangland comic fantasies. Familiar ingredients and approach, but handled with verve throughout. Everyone’s in on the joke, not least standouts Colin Farrell and Hugh Grant.
A failing circus buys a pregnant elephant; her baby has huge ears, allowing it to fly. Ambitious but mostly soulless attempt to make a non-musical live-action/CG remake of the 1941 original. Some heart, but this is mostly anodyne and clean, lacking the dark inventive touch of early Burton.
Owing money after her husband is killed in a botched robbery, a woman assembles the wives of dead men into a new crew. Stately thriller from the ITV mini-series, balancing an examination of race, city corruption and street politics with genre thrills. Recommended.
A socially-awkward lawyer faces troubles when he has to engage with the wider legal world. Though it doesn’t quite work as drama, there’s a lot to appreciate here, not least fine playing from its leads, and a bag of perhaps-unfashionable ideas about social justice.
A man seeks revenge on the gangster who killed his family. Glum thriller that spends too much time on taking itself too seriously and with obvious mystery and romance subplots. Good technical credits, tho, and fun cameos (Armand Assante, F Murray Abraham).