John McClane intervenes to stop mercenaries from freeing a high-value prisoner from a snowbound airport. Messy serio-comic sequel that bends over backwards to link itself to the first film. It scrapes by on residual goodwill from its predecessor, but that’s about it.
A police investigation begins when a female student goes missing. Influential proto-slasher movie with giallo touches, this twice-remade movie has aspects of the cop procedural as well as originating several horror genre tropes. It stands up pretty well, with well-rounded characters and a none-more-70s visual sensibility.
Santa’s awkward younger son has to deliver an overlooked gift so that Christmas can be saved. Excellent, quirky and gently-subversive animation with heart and brains, delivering slapstick, pathos and some flashes of dark humour. Lots to enjoy, including shout-outs to other Aardman characters.
A miser is haunted by a series of ghosts, so he may rethink his approach to Christmas and life. A charming adaptation of the oft-filmed Dickens novella A Christmas Carol, capturing a famous stage portrayal. Some lovely model effects and a keen visual sensibility; a touch of expressionism and a feel for the period on display here.
A mean TV executive is visited by a series of ghosts intent on teaching him the true meaning of Christmas. A raucous, overlong, and often unfunny retelling of A Christmas Carol, overly keen to cash in on its star’s links to Ghostbusters. Inevitably, some bits work nevertheless, and the film’s become something of a Yuletide perennial despite its weaknesses.
The Griswolds invite their extended family for Christmas, triggering an escalating comedy of errors. The best of the Vacation movies, this balances slapstick and subversion, with enough dark moments to give the movie substance.
A ruthless businessman is reminded of the meaning of Christmas by a series of ghosts. Sturdy version of the Dickens classic anchored by an unusual central performance – Scrooge somewhat more sympathetic than usual – and by a solid cast of familiar faces.
After setting a trap to catch Santa, two squabbling siblings have to help him save Christmas. Patchy Yuletide offering with few surprises. Russell does what he can with an indifferent script, but this is no classic.
One of Santas’s elves discovers he’s human; he journeys to New York to find his father. Generally solid Christmas comedy which keeps its single joke going for a good hour before a plot is hastily bundled in (the usual “save Christmas” one).