Infinite (2021, dir. Antoine Fuqua)

A man with mental health issues finds that he is the current incarnation of an immortal, and that a war wages for Earth’s survival. Clumsy and often incoherent Highlander / The Matrix / The Old Guard wannabe for lovers of the later Fast and the Furious movies. No-one comes out of this with much dignity. Not great at all.

Here’s the trailer.

Maleficent: Mistress of Evil (2019, dir. Joachim Ronning)

Aurora and Phillip are to be wed; but war between humans and fairy folk is threatened. Plodding sequel that substitutes mythos expansion for story. The chief fresh inspiration plundered here is Avatar, of all things. A decent cast does what it can with the material provided, but this is a franchise-killer.

The Old Guard (2020, dir. Gina Prince-Bythewood)

Near-immortal warriors induct a new recruit, while being hunted for their DNA. Patchy superhero-ish flick from a graphic novel. The film can’t decide whose story this is, telling the veteran’s and the newbie’s, rather than focusing. The result is overlong and slow, but with strong moments, a badass declaration of love, and some solid action.

Inside Man (2006, dir. Spike Lee)

An embattled detective tries to work out how an unorthodox bank robbery became a hostage situation. Smart heist/siege movie that works as an intelligent genre piece and a sly political commentary on post-9/11 America. Lots to enjoy, with clever performances all around and plenty to think about. Recommended.

The Martian (2015, dir. Ridley Scott)

An astronaut is marooned alone on Mars; he develops a plan to survive. Smart, funny and upbeat space peril movie with winning ensemble performances, clean visuals, and a diligent script from the Andy Weir bestseller. A thoroughly professional and entertaining job all round.

2012 (2009, dir. Roland Emmerich)

A geological event threatens global disaster. Another of Emmerich’s gently-satirical throw-em-to-the-lions iconoclastic pictures, this time playing with Mayan prophecies and CG tectonic plates shifting. Fun if you go with it.

Doctor Strange (2016, dir. Scott Derrickson)

A vain medic discovers new powers after searching for a cure for lost surgical skills. Satisfactory origin story which suffers from having its source material plundered by other popcult properties, tho gets revenge by borrowing world-bending imagery from Inception.

Fancy a second opinion? Here’s Lemonsquirtle’s take.