The Outpost (2020, dir. Rod Lurie)

A remote US facility in 2006 Northern Afghanistan is attacked by Taliban forces. Based on true events, this is a generally even-handed attempt to tell a base-under-siege story (from the Jake Tapper book): strong on camaraderie and on the chaos of conflict, using pseudo-documentary elements to add clarity.

Here’s the trailer:

The Dead Don’t Die (2019, dir. Jim Jarmusch)

Zombies take over a small US town. Deadpan comedy-horror with a few meta touches. Not all of it works, and the approach is wry rather than outright funny, but there are some good ideas and images, and everyone involved seems to be having fun.

Three Billboards Outside Ebbing, Missouri (2017, dir. Martin McDonagh)

A woman pursues justice for her murdered daughter. Offbeat black comedy-drama with little concession to likeability or straightforwardness. Hugely enjoyable, though, with great performances, and keeps always on the right side of quirky.

Want a second opinion? Here’s Lemonsquirtle’s.

American Made (2017, dir. Doug Liman)

The story of Barry Seal, who smuggled for the CIA and the cartels in the 80s. Swaggering rise and fall biopic in the GoodFellas mould; hugely impressive and entertaining, while offering a reminder of another of the US’s recent murky pasts.

Another perspective? Here’s Lemonsquirtle’s take.