John McClane and a young hacker track down a cyberterrorist. Fourth time out, the franchise has been retooled for pan-generational appeal, with muted levels of violence/language to suit. That said, it’s an entertaining analogue v digital thriller, with all digi-tropes present and some panache in the action design.
John McClane intervenes to stop mercenaries from freeing a high-value prisoner from a snowbound airport. Messy serio-comic sequel that bends over backwards to link itself to the first film. It scrapes by on residual goodwill from its predecessor, but that’s about it.
After his wife is murdered in a home invasion, a mild-mannered doctor turns vigilante. Tonally-inconsistent remake of the 70s Bronson flick. Horror and black comedy elements along with the violent action, and flirtation with Willis/Kersey as psychotic. Not uninteresting in its way.
A New York cabbie teams up with an alien to save the planet from invaders. A delirious delight, The Fifth Element isn’t for everyone, but its over-the-top camp and stunning design work makes it an ideal double bill with Mike Hodges’ Flash Gordon.
A crack team of misfit oil drillers is sent into space to blow up an asteroid on a collision course with Earth. Bombastic basic training/mission action flick with some comic moments and all of the director’s penchant for wearying excess when unrestrained.
Meanderring tale with a borrowed plot. An aged Willis stumbles around Venice Beach in a pastiche of himself. Billed as a comedy, with the only laughs coming from how shoddy this films looks now. Might have been a hit in 1994. Dull and tiresome. 😦