Five students spend the weekend in a remote shack: demons are unwittingly raised. Gleeful no-holds-barred horror. What’s most striking is the sheer confidence on display, plus Raimi’s grasp of camerawork and the spectrum of lo-fi practical effects possibilities. Sequels, a remake, and a TV series followed, each taking a more comic route through the core material.
A rebellious teen with latent psychic powers finds herself in a sinister all-girls boarding school. A well-paced 60s-set supernatural tale that does what you might expect, but with some class and style.
A kill-happy cop returns from the dead to get revenge on the NYPD. Patchy late entry in the slasher cycle, this has some of the quirkiness of writer/producer Larry Cohen’s best work, but is let down in places by flat performances and unimaginative direction.