Urban Legend (1998, dir. Jamie Blanks)

A serial killer stalks a campus, the killings inspired by urban legends. Generally satisfactory self-aware post-Scream whodunnit/slasher hybrid with pretensions to John Carpenter, though light on scares and grue, and clumsy in terms of representation. Fun support from stalwarts Robert Englund, Brad Dourif and Julian Ritchings helps. Two sequels followed.

Here’s the trailer.

Curse of Chucky (2013, dir. Don Mancini)

A dysfunctional family is tormented by a killer doll. A reboot for the DTV market, and something of a back-to-basics effort, though with nods to series continuity. Nevertheless, there’s plenty for Chucky fans (this is the sixth movie), even if budget limitations restrict both locations and SFX.

Alien Resurrection (1997, dir. Jean-Pierre Jeunet)

200 years after the events of Alien 3, Ripley is cloned by military scientists eager to weaponise the xenomorph. Good-looking and humorous Part 4 with an excellent cast of character actors; tonal inconsistency and a wayward third act destabilise the storytelling. The compulsion to find new twists undoes some of the excellent earlier material presented here.

Deadwood [AKA Deadwood: The Movie] (2019, dir. Daniel Minahan)

Over a decade has passed since the events of the TV series, and Swearengen, Bullock and others have to face up to their pasts and their futures. Elegaic return to a splendid unfinished TV show that does the original justice. Recommended.

Cult of Chucky (2017, dir. Don Mancini)

7th(!) in the franchise finds adult Andy obsessed with killing Chucky, while Nina is in a psychiatric institution where inmates start dying. A superior series entry which makes few concessions for newcomers, but has much fun with asylum-set tropes and some decent production values.