Six students visit a pop-up Halloween haunted house attraction. Straightforward series-of-traps body count flick, riffing on Saw sequels, escape room popularity, and a bunch of other influences. Some agreeably nasty ideas, and a cast of relative unknowns (to me, anyway) that help make matters unpredictable.
A snowplough driver seeks revenge on the drug dealers who killed his son. Black comedy English-language remake of the director’s 2014 In Order of Disappearance/Kraftidioten. Lacks the transgressive edge of the original; a good cast doesn’t have much to do.
A commercial space vehicle answers a distress call. Perhaps showing its age in some of its choices, nevertheless Alien is a storming piece of cinema, is outstandingly designed, directed and acted, and remains both relevant and influential 40 years on. A classic.
A group of Mexican illegal migrants crossing into the US are hunted by a self-appointed border official. Stark body-count thriller which makes full existentialist use of its arid landscapes, slim plot, and light characterisation.