A late 60s/early 70s New Jersey teenager is raised in a mob-affiliated household and neighbourhood. This The Sopranos prequel works as a both an insight into the earlier lives of that series’ main characters, and as a stand-alone movie. Tony Soprano very much a supporting character here: the focus is on his uncle Dickie, played by a never-better Alessandro Nivola.
A retired Bond combats the threat of a stolen bioweapon. Last of the Craig-era pics, this is the Avengers: Endgame of Bond flicks, rounding out a loose five-film arc. Less successful as a stand-alone movie, but it tries something different, Craig and a guesting Ana de Armas are both great, and there’s neat moments aplenty among the bombast and soapy stuff.
A competitive couple’s regular game night goes awry. Well-sustained comedy of murder-mystery-meets-real-life errors with a smart cast and generally solid script, plus some pizazz in the execution. Undemanding fun if you go with it.
A street thief falls for a princess; a magic lamp offers the opportunity to win her hand. Okay-as-far-as-it-goes live-action/CG remake of the 1992 Disney animation. A couple of new songs, Will Smith brings some pizazz as the genie, and a nice magic carpet gag; otherwise this is a product rather than a movie, and feels it at times too.
Lavish live action remake of classic animation. Effective enough, when it follows the original, more lacklustre when it deviates. Will Smith makes a good genie, but there is a lingering feeling that its all been done better before.