News Of The World (2020, dir. Paul Greengrass)

An itinerant Civil War veteran volunteers to take an orphaned child to distant family. Handsome, straightforward, elegiac and allegorical Western. Light on story, perhaps, but does what it needs to do at its own pace. Recommended.

Here’s the trailer.

Dark Waters (2019, dir. Todd Haynes)

A lawyer investigates an environmental conspiracy linked to chemical company Dupont. Based on a true story, this sober drama is deliberate and effective. Oddly, the weak link is producer/star Ruffalo, who’s simply 20 years too old to be playing the lead, despite his sterling efforts. A sturdy cast of character actors helps things along.

The Kitchen (2019, dir. Andrea Berloff)

Three New York women take over their imprisoned husbands’ protection racket. Lovingly-designed but superficial 70s-set crime drama based on a graphic novel, with strong performances and a great cast in depth. The tick-box script is the issue; a poorly-handled FBI subplot doesn’t help either.

Joker (2019, dir. Todd Phillips)

A clown with mental health issues tries to be loved and recognised. Well-shot but superficial origin story, heavily reliant on its stylistic and plot inspirations (early Scorsese movies, Bernhard Goetz). Sometimes impressive, sometimes misguided, but anchored by a committed central performance nevertheless.

Molly’s Game (2017, dir. Aaron Sorkin)

The true story of Molly Bloom, who ran high-stakes poker games in New York and LA. Excellent drama, balanced by a fine central performance and swaggering writing, chronicling a perhaps typical rise and fall-style story, but done with class and confidence.

Alternative view here