Triple Frontier (2019, dir. JC Chandor)

Five former soldiers plan a robbery on a drug lord’s jungle hideout. Well-sustained heist-goes-wrong thriller with a military angle. A superb cast lifts straightforward genre material, somewhat elevated by serious handling and moviemaking craftsmanship throughout.

Paycheck (2003, dir. John Woo)

An industrial spy leaves himself clues to solve the crimes of which he’s now accused. An SF twist on a Hitchcock plot (based on a Philip K Dick story), this lumpen chase thriller gets bogged down early and doesn’t relax into what Woo – when unrestrained – does best.

Justice League (2017, dir. Zack Snyder)

After the events of Dawn of Justice, Bruce Wayne assembles a team to combat the new threat of Steppenwolf. Okay series continuation, with a lighter tone; a straightforward plot and a stagey look are distractions from an at-times impressive cast.

Want another perspective? Here’s Lemonsquirtle’s view.

Live By Night (2016, dir. Ben Affleck)

The rise of a hoodlum during Prohibition. Handsome, lovingly made, but slow, baggy, and uninvolving gangster pic. Clearly a labour of love, but too indebted to its source novel’s structure to make an engaging movie, despite good moments along the way.

The Accountant (2016, dir. Gavin O’Connor)

A forensic accountant with social skills issues is also an assassin, specialising in killing international criminals. Oddball action drama with a weird premise and a lead character with the kind of autism found only in movies. Not terrible, but feels like three different spec scripts combined into one.

Armageddon (1998, dir. Michael Bay)

A crack team of misfit oil drillers is sent into space to blow up an asteroid on a collision course with Earth. Bombastic basic training/mission action flick with some comic moments and all of the director’s penchant for wearying excess when unrestrained.