Mad Max: Beyond Thunderdome (1985, dir. George Miller & George Ogilvy)

Max Rockatansky encounters a fledgeling civilisation in the desert. The third (though chronologically fourth, after Fury Road) Mad Max flick is glossier, talkier and generally lighter than its predecessors, but nevertheless works as a hugely detailed action fantasy riffing on Peter Pan and Riddley Walker while delivering a fantastic chase sequence.

Backtrack (2015, dir. Michael Petroni)

A psychiatrist’s visions of his dead daughter lead him to confront the secrets of his youth. Initially contrived but nevertheless effective supernatural thriller with plenty of jump scares and a couple of interesting ideas.

Boys in the Trees (2016, dir. Nicholas Verso)

A teen struggles with his past and future one Halloween. Excellent little coming-of-age drama with a supernatural edge. Slight, but beautifully shot and performed, and it doesn’t do the things lesser movies might have.

Cargo (2018, dir. Yolanda Ramke & Ben Howling)

A race against time to get a baby to safety following her father’s zombie virus infection. Quirky z-movie, both effective in places and slightly undone by its episodic nature. Good performances and a keen sense of place anchor the drama.

Kill Me Three Times (2014, dir. Kriv Stenders)

Three sets of interrelated complications involving a jaded hit man. Great-looking and confidently-directed but thoroughly unfunny would-be comedy-thriller that tries something Tarantino/McDonagh-ish but ends up like 90s wannabes such as Three Days In The Valley.