Madagascar (2005, dir. Eric Darnell & Tom McGrath)

Four New York zoo animals find themselves accidentally marooned in the wilds of Madagascar. Fast and funny CG animation, with enough going on by way of slapstick, good gags, pop culture references and keen voicework to keep all ages entertained.

Coco (2017, dir. Lee Unkrich & Adrian Molina)

A boy desperate to become a musician finds himself trapped in the afterlife. Sprightly quest narrative drawing on Mexican folklore; superficial similarity to The Book of Life dampens its impact, though this is a decent Pixar effort in its own right.

Early Man (2018, dir. Nick Park)

A peaceful tribe of cave-dwellers must play football against a Bronze Age crack squad to win back their home. Lovingly-made and beautifully-detailed, this stop-motion flick from Aardman is undemanding fun, even if it’s light on jokes compared to their earlier films.

101 Dalmations II: Patch’s London Adventure (2003, dir. Jim Kammerud & Brian Smith)

Cruella de Vil attempts again to steal and kill the puppies; one dog stands alone. OK straight-to-DVD sequel, heavy on London cliches, slapstick, and cutesy pooches. No classic, certainly, but inoffensive fun nevertheless.

Incredibles 2 (2018, dir. Brad Bird)

Elastigirl works to redeem public perception of superheroes, while Mr Incredible wrestles with baby Jack-Jack’s burgeoning powers. Perhaps overlong and overly-similar to the first film, this is nevertheless expertly-designed and executed family entertainment.

The Simpsons Movie (2007, dir. David Silverman)

After polluting Springfield so much that the government encloses the town in a massive dome, Homer goes on an odyssey to save his family. Weakened a little by expansion to movie-length, this is nevertheless a consistently funny flick with a few standout sequences.

Captain Underpants: The First Epic Movie (2017, dir. David Soren)

Comics-loving best friends hypnotise their headteacher into becoming a superhero. Splendid animation – based on the Dav Pilkey books – that delivers a barrage of bottom jokes and a touching portrayal of childhood friendship. Recommended.