Those Who Wish Me Dead (2021, dir. Taylor Sheridan)

A compromised smoke jumper finds herself protecting a boy against a pair of hired assassins. Competent if plasticky thriller with action elements. Strong casting and some badassery helps, but the thin story and a reliance on iffy CG and greenscreen for production value are hindrances.

Here’s the trailer.

Maleficent: Mistress of Evil (2019, dir. Joachim Ronning)

Aurora and Phillip are to be wed; but war between humans and fairy folk is threatened. Plodding sequel that substitutes mythos expansion for story. The chief fresh inspiration plundered here is Avatar, of all things. A decent cast does what it can with the material provided, but this is a franchise-killer.

Maleficent (2014, dir. Robert Stromberg)

A loose retelling of Sleeping Beauty, from the perspective of its antagonist. A brisk dark-ish fantasy that at least tries something a little different from the usual Disney liveactionifications of its animated properties. Hyperreal and CGtastic, though at least it’s pacy, and Jolie seems to be having fun. A sequel followed.