A reclusive vigilante meets his nemesis. Skilful if lengthy revisiting of the caped crusader, here early in his career and focused at least in part on actual detective work. Impressive and never less than proficient throughout in a Seven-ish kinda way, if not exactly necessary. A confident walk down a well-worn path.
Eddie Brock unwittingly infects a condemned killer with a symbiote. Shouty sequel which is at least brief, splashy, and has a committed central performance. Plus, it feels like a comic. Unfortunately, it’s also unfunny, nigh plotless, and wastes some considerable onscreen (mostly Brit) talent.
An SAS officer is caught in a Channel Tunnel train hijack overseen by disgruntled mercenaries. Boorish, overlong action thriller that’s both hideously contrived and has some properly dumb ideas. A decent TV-ish cast and some effective stunt work help, but this is clunky, obvious stuff throughout.
Caesar comes up against a military leader determined to wipe apes from the planet. Downbeat but impressive third and final part of the trilogy; a more introspective movie than its predecessors but stirring nevertheless.
The new king of a hitherto secret technologically-advanced African nation faces a range of challenges to his accession. Supremely confident addition to the Marvel cinematic canon, which tells its origin story in an Afrofuturist way, ringing many changes on the template.
Ten years after the events of Rise, apes and humans come into contact with each other. Superior monkey military parable fun, with hawks and doves in human and ape camps alike, arguing for armageddon and peace respectively. Inevitably, though, war erupts.