Mamma Mia! Here We Go Again (2018, dir. Ol Parker)

In 1979, a student has romantic adventures in the Med; this links with the present. Both sequel and prequel to Mamma Mia!, this ABBA-based jukebox musical is part-reprise, part deconstruction. More fun than the first, and as impermeable to criticism as its predecessor. You’ll either love it, or be baffled.

The Mule (2018, dir. Clint Eastwood)

An elderly man becomes a drugs runner for a cartel. Crime drama based on a true story. Baggy and indulgent in places, but with some charming moments, and a decent lead performance from Eastwood. The script’s the issue; we never quite get to the heart of the character, despite efforts to tell a rounded story.

Geostorm (2017, dir. Dean Devlin)

Weather control satellites are interfered with to cause global destruction as part of a conspiracy. Longtime Roland Emmerich cohort Dean Devlin pastiches the RE formula, but hasn’t the same panache; this is a lumpy blockbuster that makes little sense.

Another perspective required? Here’s Xussia’s take.

Passengers (2016, dir. Morten Tyldum)

A deep-space vessel malfunctions; a passenger wakes from cryosleep 90 years early. Odd SF flick which initially plays interestingly with The Shining in space, only to default to creepy romance mode which doesn’t work at all; Act 3 shows evidence of much surgery.

Another opinion? Here’s Lemonsquirtle’s thoughts.