Under the Silver Lake (2018, dir. David Robert Mitchell)

An LA slacker investigates a neighbour’s disappearance: he soon spirals into a web of conspiracy. In the overlap of the Hitchcock / Pynchon / Paul Thomas Anderson Venn diagram, this 2011-set shaggy dog neo-noir is more a vibe than a movie: there’s indulgent pleasures along the way, but don’t expect a cohesive story.

Here’s the trailer.

The Amazing Spider-Man 2: Rise of Electro (2014, dir. Marc Webb)

Spidey comes up against two new foes, and one old one. Stronger in its comedy and in the romantic entanglement stuff than in its superheroics, ASM2 ends up nevertheless both soapy and in a rote city smash-up finale against underwritten opposition.