Things Heard & Seen (2021, dir. Shari Springer Berman & Robert Pulcini)

A dysfunctional couple and their daughter move into an old house in 1980s upstate New York: matters go awry. Patchy, overlong and over-stuffed horror/drama that struggles to fillet its source novel (All Things Cease to Appear by Elizabeth Brundage) to suit a movie. A couple of good moments, though, and F Murray Abraham and Karen Allen are always welcome.

Here’s the trailer.

You Should Have Left (2020, dir. David Koepp)

A wealthy family stay in a remote Welsh vacation rental; the house has secrets. Slight, austere, though generally effective psychological thriller, adapted from the Daniel Kehlmann novel. No real surprises, but the movie’s well-played and directed, and succeeds within the strictures of the Twilight Zone-ish story.

Here’s the trailer.

Mamma Mia! Here We Go Again (2018, dir. Ol Parker)

In 1979, a student has romantic adventures in the Med; this links with the present. Both sequel and prequel to Mamma Mia!, this ABBA-based jukebox musical is part-reprise, part deconstruction. More fun than the first, and as impermeable to criticism as its predecessor. You’ll either love it, or be baffled.

Anon (2018, dir. Andrew Niccol)

In the near future, a detective investigates a woman without a data presence. Minimalist thriller typical of its director’s concerns with surveillance. Well-designed, and with plenty of good stuff along the way, but maybe a touch too austere, falling between arthouse and genre piece.