A Columbian family fractures when their magical powers weaken. Great-looking but derivative animation with too much tickbox Disney stuff, saddled with dull songs. Moments amuse, and the small scale gives focus, but there’s nothing here that Moana or Coco didn’t do ten times better.
A warrior princess embarks on a quest to unite five fractured kingdoms and repel their collective threat. A very straightforward fantasy drawing on South East Asian design and story influences. Some pleasures in the incidentals, but this is secondhand tick-box monomyth stuff throughout.
Ralph and Vanellope quest online to find a spare part for a games console. Overlong sequel that uses its premise to support an extended (though fun) riff on existing Disney properties. Some sly jokes get through, but this is a product placement-tastic, overstuffed continuation that exposes the limits of its setup and its nominal lead character.
A videogame character abandons his console to prove that he has worth. Toy Story/Tron mashup that generally works despite the conceptual awkwardness of its conceit. Plenty of game in-jokes and references, some nice gags, lovely design elements, and a splendid villainous performance from Alan Tudyk, riffing on Ed Wynn. A sequel followed.
A small group of rebels try to steal the plans to the Death Star. Superior side mission from the Star Wars universe, answering a small plot question from the 1977 movie. By no means essential, but nevertheless rousing space opera fun, and lovingly designed.
In 2035, a robot-hating detective investigates the suicide of a tech genius. CG-heavy SF action thriller based very loosely on Isaac Asimov stories. Some interesting production design, but linear and clunky plotting make this hollow, despite star Will Smith’s obvious charisma.
Two well-meaning backwoodsmen have their good intentions misunderstood by camping students. Jolly-enough horror-comedy that gets by on the charm of its leads, by a strong-enough premise, and some effective slapstick gore.