You’re Next (2011, dir. Adam Wingard)

A family reunion is interrupted by home-invading masked killers. Superior horror flick with touches of black comedy. Knows precisely what it is and works to fulfil expectations well: a brisk, bloody job well done.

Here’s the trailer.

Godzilla vs. Kong (2021, dir. Adam Wingard)

An expedition to Earth’s hollow centre searches for a power source critical to fight the Titans. Following Godzilla: King of the Monsters, this series continuation pillages everything from At The Earth’s Core to, er, The Core. Some neat moments aside, though, this is uninvolving CG monster city battle gubbins with a decent cast stranded.

Here’s the trailer.

V/H/S (2012, dir. Adam Wingard, David Bruckner, Glenn McQuaid, Joe Swanberg, Ti West, Radio Silence)

A horror anthology, linked by the contents of a video tape. Overlong (there’s a short movie too much) and at times repetitive, this is nevertheless a generally solid found-footage horror compilation, even if the dudebro-ness on display doesn’t always translate into critique. Two standout stories and the interesting credits (acting and direction) make it worth your while. Sequels followed.

Here’s the trailer.

Death Note (2017, dir. Adam Wingard)

A teenager finds a notebook with the power to compel a death-demon. Manga/J-horror Americanisation; effective if you go with its dream-logic (the Phantasm movies get a shout-out as a clue), with some good performances and strong direction from Wingard.

Blair Witch (2016, dir. Adam Wingard)

20 years on, a young man and friends make a documentary about the events of The Blair Witch Project. Contrivances are needed to get the movie going, but the rest of the film is effective-enough found-footage jumpscare material in this sequel/reboot.