The Highwaymen (2019, dir. John Lee Hancock)

Two retired lawmen are recruited to hunt down and kill Bonnie and Clyde. Handsome but slow period thriller that can’t quite make up its mind if it wants to go for drama or action. Well-played, though, with a great Thomas Newman score, evoking Road To Perdition.

Triple Frontier (2019, dir. JC Chandor)

Five former soldiers plan a robbery on a drug lord’s jungle hideout. Well-sustained heist-goes-wrong thriller with a military angle. A superb cast lifts straightforward genre material, somewhat elevated by serious handling and moviemaking craftsmanship throughout.

Peppermint (2018, dir. Pierre Morel)

Five years after her family’s murder, a mother returns to the US for revenge. Straightforward action fantasy with a committed lead performance and an outsider’s view of LA. Not great, but there’s a couple of interesting plot wrinkles along the way.

Nightshooters (2018, dir. Marc Price)

A low-budget film crew is trapped in a high-rise – due for demolition – by gangsters. Impressive micro-budget action comedy with some great gags, fine stuntwork and fight choreography. Lots to enjoy for genre fans; the film’s limitations work to its advantage.

Close (2019, dir. Vicky Jewson)

A bodyguard is assigned to protect the wayward daughter of an embattled corporate executive. Smart, tight little thriller with a focus on relationships as well as on low-key but still effective action, marking out the director as one to watch.

Mile 22 (2018, dir. Peter Berg)

An elite anti-terrorist squad battles to get an asset across a hostile city. Clunky actioner mistaking thuggishness for badassdom; unlikeable characters don’t help, and the wasting of Uko Iwais is nigh unforgivable. Fourth and least of the Berg/Wahlberg flicks to date.

Death Wish (2018, dir. Eli Roth)

After his wife is murdered in a home invasion, a mild-mannered doctor turns vigilante. Tonally-inconsistent remake of the 70s Bronson flick. Horror and black comedy elements along with the violent action, and flirtation with Willis/Kersey as psychotic. Not uninteresting in its way.

Want another opinion? Here’s Xussia’s take.