Bond again battles Blofeld; this time up to germ warfare. Despite the awkwardness at times of lead Lazenby, this is perhaps the best all-round Bond; bags of action, some self-aware humour, lovely design work and excellent direction and editing.
In 2035, a robot-hating detective investigates the suicide of a tech genius. CG-heavy SF action thriller based very loosely on Isaac Asimov stories. Some interesting production design, but linear and clunky plotting make this hollow, despite star Will Smith’s obvious charisma.
A weapons deal goes bad. A contrived but slick, funny, and thoroughly entertaining action/horror hybrid that makes no bones about its B-movie borrowings. Everyone involved is clearly having fun; Wheatley’s best film to date.
Want a second opinion? Here’s Lemonsquirtle’s review.
A jaded hitman protects a teenager from assassination. Clunkily-scripted but well-directed pan-Europe chase thriller with bags of well-choreographed lo-fi action. A hugely competent job done with very average raw materials.
A homeless sailor disrupts a scheme where rich hunters prey on down-and-out Vietnam veterans. This take on The Most Dangerous Game is a B-movie joy: superb stylised action, swaggering villainy, and a glimmer of social conscience.
A team of mercenaries fall foul of a SAS death squad. Brisk and intriguing 1980-set thriller with bags of action, based on a then-controversial Ranulph Fiennes book. More action than sense at times, but still plenty of genre fun.
Bond teams up with an NSA agent to uncover the truth about a conspiracy involving conflict diamonds and North Korea. Fourth, last, and least of the Brosnan Bond flicks. The central performance is good, but the script is a lazy series of puns and there’s an over-reliance on iffy CG throughout.