Strange and America Chavez travel the multiverse, trying to stop Scarlet Witch attaining a grimoire. Raimi brings superheroic and horror-comedy skillsets to bear on a confident slice of Marvel shenanigans: the format and aesthetics are as restricting as ever, but there’s gleeful moments nevertheless.
A woman goes missing at a truck stop: her estranged husband searches. Perfunctory thriller that’s unsure what to do with its Breakdown-ish setup, opting for linearity over complexity: there’s never doubt that Gerry Butler – for it is he – is anything other than a good guy. Stops rather than ends: a bit of a disappointment.
A computer games designer discovers he’s in a simulation. Meta belated sequel with some fun ideas about reboots, too much clumsy cod philosophy, and plenty of decent performances. However, poor action staging, awkward recasting of key roles, and weak storytelling undo good intentions.
A discharged veteran with money problems reluctantly takes on a private contracting job. Terse thriller with action elements: the cast’s good, the action is handled in a no-nonsense manner, and there’s a pleasing downbeat tone. No surprises, but a decent programmer with subtext about post-military lives.
A martial artist seeking revenge for his father’s death joins a yakuza clan. While it looks good, this is an oddly pointless reboot with muddy, incoherent action, the wasting of some decent onscreen talent, and a miscast lead. Golding can be great, but he’s more George Clooney than the Sho Kusugi that the role needs.
A desert planet with a fabled resource is given new custodians: a messiah figure may be among them. Impressive if slightly po-faced partial adaptation (Part Two is to come) of the Frank Herbert allegorical SF classic. Takes its time: the pacing is televisual rather than cinematic. However, it looks great, and a good cast plays to their strengths.
1906. A farmer finds a wounded man and takes him in, hiding him from the team that’s hunting him. Excellent early 20th century Western, which manages to do a lot with modest resources and clear intent. Plenty to appreciate, not least Tim Blake Nelson in the lead.
A young woman returns to her hometown: a zombie-like outbreak occurs. This 90s-set series reboot draws from the franchise’s early video games. And that’s about it. A murky and confused action/horror flick with little clear idea about what to do with the property, or why bother.
A veteran FBI agent becomes embroiled in a conspiracy involving the murder of a politician. Straightforward thriller with a couple of minor plot wrinkles and some decent lo-fi action and stuntwork. No game-changer, but works well enough within its self-imposed limitations.
The origins of an independent spy agency, set against the Great War. Messy and inconsistent prequel, showcasing series strengths (brio, some startling moments) and weaknesses (tonal awkwardness) in equal measure. A freewheeling approach to both history and emotion throughout render this flashy, but empty.