Safe (2012, dir. Boaz Yakin)

A hunted ex-cop and a young girl with mob secrets go on the run together. Terrific New York chase thriller, balancing stunts, action and rock-solid fight choreography together to make a daft but supremely entertaining package. For genre fans, but highly recommended nevertheless.

Tomb Raider (2018, dir. Roar Uthaug)

A bike courier/heiress follows clues left by her missing father to a forbidden tomb. OK series reboot with plenty of action, chases and the usual set-piece puzzle lair supernatural finale. Nothing new, but competently done, with a good central performance.

Another perspective required? Here’s Xussia’s review.

The Debt Collector (2018, dir. Jesse V. Johnson)

A desperate-for-money martial arts instructor takes a job as a  debt collector. Okay thick ear, with a fight every 5 minutes and some comic moments. Old-school in many ways, and with a tacked-on plot that doesn’t quite work, but reasonable fun for fisticuffs fans.

Final Score (2018, dir. Scott Mann)

An American ex-soldier battles Eastern European separatists holding a football stadium to ransom. Hugely enjoyable Die Hard knockoff that doesn’t take itself too seriously, and which delivers in genre terms, as well as in representing football pretty well in a movie. Fun.

Braven (2018, dir. Lin Oeding)

A logger is caught up in a siege against drug-dealers. Somewhat contrived in its set-up, this is nevertheless a decent-enough wintry contemporary western, which sensibly focuses on snowy shootout action.

The Equalizer 2 (2018, dir. Antoine Fuqua)

McCall vows to take revenge on the rogue CIA element who killed his friend. Clunky sequel that struggles to find meaningful things for its protagonist to do. One of those series entries that has to invent new backstory to make its plot-points stick. Kinda disappointing.

The First Purge (2018, dir. Gerard McMurray)

Staten Island is chosen as a Purge trial zone; residents have to fight to survive the night. Effective prequel (and fourth in the series), upping the social commentary and overtly satiric elements while drawing also on blaxploitation and action/horror tropes. Perhaps the best in the series yet.