Jolt (2021, dir. Tanya Wexler)

A woman who controls her extreme anger issues via a high-tech electrical device investigates a murder. Poor sub-Crank action-comedy: a decent cast helps (several in one-set cameos), but (some OK) quips, poor action, over-direction, the world’s most guessable villain, and stagey visuals don’t. Feels like a TV pilot: has that Nu Boyana aesthetic.

Here’s the trailer.

Guns Akimbo (2019, dir. Jason Lei Howden)

A loser programmer find himself in a real-world socially-mediated assassination video game. Frenetic but patchy slapstick action-comedy. Little sense of tone, stakes, internal logic or of pacing, so the energy is misplaced and the excellent cast work against the movie, not with it. Gamer meets Shoot Em Up-ish, though much less ultimately than either.

Here’s the trailer.

Nobody (2021, dir. Ilya Naishuller)

A browbeaten family man with a past comes up against Russian mobsters. Okay action comedy with slapstick brutality galore. A fine cast, some invention in the detail, and a couple of neat directorial moments help, though there’s a heavy-handed approach to pop scoring and to the fantasy world of the movie.

Here’s the trailer.

Tag (2018, dir. Jeff Tomsic)

Five school friends have been playing the same game of tag for 30 years. Based on a true story, this is a solid action-comedy with a couple of moments of dark genius. The denouement is emotionally-manipulated, but by then the flick’s earned enough goodwill to let matters slide. Unexpectedly good, and thus a recommendation.

Kingsman: The Golden Circle (2017, dir. Matthew Vaughn)

Kingsmen join with their American equivalent to battle a virus-wielding drug lord. Gleeful but over-stuffed, overlong and indulgent sequel, magnifying the first film‘s good points and its issues. Some fun to be had, tho, and Mark Strong gets a crowning moment of awesome.