Bullet Train (2022, dir. David Leitch)

Multiple gangsters and assassins with varying motives are aboard the same shinkansen. Too-pleased-with-itself slapstick thriller, adapted from the novel Maria Beetle by Kotaro Isaka. Some early stuff works, but there’s little control over the premise, so it falls apart despite committed work from star Brad Pitt and others. A hack approach to Japan doesn’t help.

Here’s the trailer.

Godzilla (2014, dir. Gareth Edwards)

Earth is threatened by MUTOs (massive unidentified terrestrial organisms), awoken by human nuclear activity. Superior monster mayhem anchored by a fabulous visual sensibility, and by a genuine feeling of otherness between the creatures and us. Story-light, and a touch serious, but properly spectacular, nevertheless. Sequels ensued.

Outlaw/King (AKA Outlaw King) (2018, dir David MacKenzie)

Robert the Bruce rebels against Edward I. Straightforward historical action drama in the Braveheart mould, with plenty of detail, production values aplenty and some gusto in the playing. Blood, mud and a trebuchet/mangonel device.

Nocturnal Animals (2016, dir. Tom Ford)

A woman reads her former husband’s novel. Good-looking though bleak slow-burn thriller intercutting between a novel and its reading; the fiction within the film is more interesting than the frame narrative, though. Michael Shannon superb in support.

Want another opinion from a member of the 255Review crew? Lemonsquirtle’s┬átake on the movie is here.