A teenager is involved in the death of a peer: his life begins to unravel. Lo-fi 90-set indie psychological horror. Stronger on teenage loneliness and on lower-middle class lives than on storytelling: its inexorable pace works, but artier elements come across as pretentious rather than intriguing. Worth your attention, nevertheless.
A desperate writer turns to forging literary letters. Excellent melancholic comedy-drama, anchored by two great central performances and by sensitive writing and direction. Lots to appreciate, though the tone might be too downbeat for some.
A teen struggles with his past and future one Halloween. Excellent little coming-of-age drama with a supernatural edge. Slight, but beautifully shot and performed, and it doesn’t do the things lesser movies might have.
An ex-cop turned unlicensed private eye investigates a kidnapping. Generally effective adaptation of one of Lawrence Block’s Matt Scudder novels, which perhaps over-reaches by telescoping several books’ backstory into a single narrative. Bleak and autumnal; not one of Neeson’s lighter actioners.
Very solid 90s Bond, refitting the cycle into post-Cold War realities, excepting dated then-new internet gubbins. The best of the Brosnan flicks, though it recycles (yet again) You Only Live Twice, plot-wise.