57 years later, Ellen Ripley faces the xenomorphs again. Superlative sequel, balancing the body horror shocks of the original with military action, suspense, and a then-voguish Vietnam War aftermath aesthetic.
A frankfurter finds out that there is no hereafter. Relentlessly sweary food-based riff on the Buzz Lightyear and Pizza Planet alien characters’ delusions from Toy Story, which just about holds itself together.
Jason Bourne resurfaces to deal with his past. Fifth in the franchise after the side-step of Legacy finds Bourne on top form; a story-light and linear but propulsive visually-driven action thriller, designed more as a sensory experience than narrative.
A mother-obsessed mannequin restorer goes on a killing spree. A proficient and times stylish remake of the 1980 original, though it adds little except a tidier narrative and well-handled use of subjective camera; not enough to justify its existence.
A mother-obsessed New York loner goes on a killing spree. De Palma-ish slasher, with the expected Hitchcock and giallo references. Maniac works because of its grubby style, its still-effective gore, decent direction, and a sweaty central performance.
Supporting actors and extras reminisce about working on Star Wars, and the impact that the film and its fan culture has had on their lives. A bittersweet little documentary which makes a minor though not-uninteresting contribution to the movie’s fandom.
A night and a day in a Wall Street company going under at the start of the financial crisis. Smart little boardroom thriller with a keen ensemble cast working well together. Makes you care about a bunch of suits and their shifty ways with numbers.