Wonder Woman (2017, dir. Patty Jenkins)

An Amazon princess journeys to the outside world to defeat the God of War. Superior superhero origin story, benefitting from freshness of its lead character, a generally light touch, and a well-realised World War 1 period setting.

’71 (2014, dir. Jann Demange)

An inexperienced soldier is trapped behind enemy lines in Belfast during the Troubles. Outstanding chase flick which wears its superbly-realised political context lightly to support its well-sustained and tense thriller narrative. Highly recommended.

Tomboy (AKA Tomboy: A Revenger’s Tale / The Assignment / (Re) Assignment) (2016, dir. Walter Hill)

A hitman is subjected to forced gender reassignment. A messy hotchpotch of bad taste, worse gender politics, and a standard pulpy noir payback yarn. Tomboy is never uninteresting, but not always for the right genre reasons. A future cult beckons.

Prometheus (2012, dir. Ridley Scott)

Archaeologists lead a space mission to the creators of life on Earth. Good-looking and packed with great images, this Alien prequel is nevertheless hugely flawed, not least with an abundance of intelligent beings doing really dumb things.