Hungerford (2014, dir. Drew Casson)

A group of teens witness an alien invasion. Ambitious zero-budget semi-professional found-footage zombie/alien invasion mash-up with good moments but an inability to sustain coherence through iffy script and acting. Followed by The Darkest Dawn.

Manhunt (2017, dir. John Woo)

A framed lawyer and a maverick cop team up to expose a medical conspiracy. John Woo blends Hong Kong heroic bloodshed with his SF-underscored US actioners in this enjoyably overwrought chase movie. Guns, trials bikes and doves all present and correct.

Brawl in Cell Block 99 (2017, dir. S. Craig Zahler)

A mechanic turned drug mule has to battle the prison system to save his pregnant wife from the dealers he owes. Slow-paced but inexorable, this crime drama/horror mash-up isn’t for everyone, but is both brilliant and brutal if you can go with it.

The Hurricane Heist (2018, dir. Rob Cohen)

A meteorologist and a US Treasury agent combat thieves using a hurricane as cover for a robbery. Underpowered mashup of Twister and Hard Rain with some good moments – Ralph Ineson’s baddie is fun – but an over-reliance on cliche and CG storms.

Highlander (1986, dir. Russell Mucalhy)

Immortal warriors battle across time; matters come to a head in contemporary New York. Daft but entertaining SF/fantasy hybrid, with decent performances, flashy direction and now-quaint visual effects. As 80s as it gets.

Gun Shy [AKA Salty] (2017, dir. Simon West)

A retired rock singer has to rescue his kidnapped wife. Oddball comedy-thriller with some good ideas and performances, but awkward logic and a lack of actual action. A bit of a mess, but not without its moments; Banderas seems to be enjoying himself.