In 1944 Italy, a US army troop behind enemy lines find a crashed spaceship. Engaging-enough low-budget SF/horror/war hybrid, with a witty script and a keen sense of its modest production values.
Dramatization of an infamous 1976 plane hijacking, and the subsequent rescue mission. Even-handed but glum retelling which doesn’t know how to approach its subject, meaning the end result is neither political allegory, action drama or straight history. Disappointing.
A small group of rebels try to steal the plans to the Death Star. Superior side mission from the Star Wars universe, answering a small plot question from the 1977 movie. By no means essential, but nevertheless rousing space opera fun, and lovingly designed.
Want another view? Here’s Xussia’s tuppenceworth.
Robert the Bruce rebels against Edward I. Straightforward historical action drama in the Braveheart mould, with plenty of detail, production values aplenty and some gusto in the playing. Blood, mud and a trebuchet/mangonel device.
A special forces team is dropped behind enemy lines in Afghanistan to take out an enemy stronghold. Well-shot but uninvolving post 9/11 drama, based on a true story. The usual battle movie cliches, though with occasional interesting Western genre flourishes.
A lone watchtower soldier begins to doubt his solitary 100-day mission. Low-budget but generally well-sustained single-location SF thriller, owing something to films like Moon and The Village.
Caesar comes up against a military leader determined to wipe apes from the planet. Downbeat but impressive third and final part of the trilogy; a more introspective movie than its predecessors but stirring nevertheless.
Another opinion? Here’s Lemonsquirtle’s review.