Wonder Woman (2017, dir. Patty Jenkins)

An Amazon princess journeys to the outside world to defeat the God of War. Superior superhero origin story, benefitting from freshness of its lead character, a generally light touch, and a well-realised World War 1 period setting.

Tomboy (AKA Tomboy: A Revenger’s Tale / The Assignment / (Re) Assignment) (2016, dir. Walter Hill)

A hitman is subjected to forced gender reassignment. A messy hotchpotch of bad taste, worse gender politics, and a standard pulpy noir payback yarn. Tomboy is never uninteresting, but not always for the right genre reasons. A future cult beckons.

Prometheus (2012, dir. Ridley Scott)

Archaeologists lead a space mission to the creators of life on Earth. Good-looking and packed with great images, this Alien prequel is nevertheless hugely flawed, not least with an abundance of intelligent beings doing really dumb things.

Return of the Jedi (1983, dir. Richard Marquand)

The Rebel Alliance battles another Death Star. The last part of the original trilogy works hard to include something for everyone (all points from slavery to teddy bears) as well as to wrap up its soap-opera character arcs. For fans only, tho,

Independence Day: Resurgence (2016, dir. Roland Emmerich)

20 years after Independence Day, the aliens return. Sequel/reprise of the 1996 original, taking a lighter, space operatic tone. ID4:R works because it plays as B-movie fodder, and is less interested in plausibility than in creating fun moments.