The Predator (2018, dir. Shane Black)

A special forces sniper has his son targeted by extraterrestrials. Odd belated series continuation with some awkward and distasteful ideas and no sense of clarity about its reason to exist. Some neat moments and in-jokes, but this is a disappointing and contrived mess nevertheless.

Want another review? Here’s Xussia’s.

 

The Last Days [AKA Los Ultimas Dias](2014, dir. David Pastor & Alex Pastor)

After an apocalyptic event, two mismatched co-workers battle across Barcelona’s tunnel system to find their families. Deft and imaginative thriller, with an emphasis on character and humanity as much as on action. Plenty of good stuff to be found here. Recommended.

Star Trek: First Contact (1996, dir. Jonathan Frakes)

Picard and crew time-travel to mid-21st century Earth to ensure the Borg do not disrupt human space development. Action-centric first full feature for the Next Generation crew; this series continuation does a lot of stuff right, though there’s a lot of fan-service here.

Ant-Man and the Wasp (2018, dir. Peyton Reed)

Lang, Hank Pym and Lana re-team, this time to find Pym’s wife, long thought lost in the quantum realm. Superior Marvel adventure, all the better for its modest scale, humour, and invention in blending 3D, action and the conceit of the size-changing tech.

Pacific Rim: Uprising (2018, dir. Steven S DeKnight)

Ten years after the events of Pacific Rim, the Jaeger programme is under threat. Teen-oriented sequel which takes the Independence Day: Resurgence route: good-looking international cast and locations, a focus on China as a sales market, a lighter tone, a sense of disposability.

Zone Troopers (1985, dir. Danny Bilson)

In 1944 Italy, a US army troop behind enemy lines find a crashed spaceship. Engaging-enough low-budget SF/horror/war hybrid, with a witty script and a keen sense of its modest production values.