The Island (2005, dir. Michael Bay)

After discovering the truth about their existence, two clones escape their high-tech facility. Okay near-future (set in 2019) chase thriller that takes a while to get going, but then delivers in the kinetic style typical of its director.

Skyscraper (2018, dir. Rawson Marshall Thurber)

An ex-FBI agent turned security consultant must rescue his family from a high-tech skyscraper overrun by fire and criminals. Derivative though passable tosh, mashing up Die Hard and The Towering Inferno. Johnson as charismatic as ever, though he’s ill-served by a rote script.

Second and third opinions required?

Mom and Dad (2017, dir. Brian Taylor)

An electronic virus drives parents to kill their children; one family home becomes a battleground. Brisk bad taste horror-comedy that gets in and out fast. Everyone is on fine form, and there’s the best use ever of a Erasure song in the movies.

Safety Not Guaranteed (2012, dir. Colin Trevorrow)

A reporter and two interns investigate a classified advert promising time travel. Lo-fi comedy that doesn’t outstay its welcome. Charming enough, with just a hint of sci-fi, and with fine performances all round.

Hotel Artemis (2018, dir. Drew Pearce)

One night in a gangsters-only private hospital in riot-torn near-future LA. Derivative but fun low-budget cyberpunk thriller, with elements of the Purge and John Wick movies. The budget’s wisely spent on strength in depth in the casting.

God Told Me To [AKA Demon] (1976, dir. Larry Cohen)

A religious NYPD detective investigates a series of random killings. Splendid one-of-a-kind SF/horror with a procedural aspect. Impressively shot on the sly on the streets of New York, and with some great ideas, this is one of director Cohen’s best flicks.