A bereaved couple’s new foster son’s dreams – and nightmares – can come true. Atypical jumpscare horror which morphs into something a little more touchy-feely. Not for all tastes, but well-directed by the talented Flanagan.
A live-action/mocap/CG version of the Disney animation based on the Kipling stories. And pretty good it is too, with a stunning central performance and plenty of visual wonderment if you don’t mind a little uncanny valley in your family-friendly entertainment.
Biopic of Vinny Pazienza, who overcame a broken neck to return to championship-standard boxing. A straightforward but immersive triumph-over-adversity story from the headlines, with great work from a talented cast, especially Ciaran Hinds and Aaron Eckhart.
A prequel of sorts to JM Barrie’s Peter Pan. And not a very good one either. Some interesting production design, but that’s about it. A poor script, misjudged performances, and evidence of a post-production salvage attempt. A disappointment.
A corporate stork and a young woman have to deliver a baby. Though intermittently hilarious (the wolves are good, and there are some beautifully random jokes) this is an odd beast with a complicated set-up that has little inner logic. The usual heartwarming lessons learned, though.
Electrical power workers battle their demons, and sometimes, power cuts. Ho-hum drama which can’t decide if it’s interested more in blue-collar soap operatics or in Hawksian camaraderie under pressure, ending up focusing on neither.
Patterned after the success of the peerless Muppet Christmas Carol, this romp through the RL Stevenson classic is less certain, but there are enough jokes, production detail, and exuberance to pass muster, plus two great songs (“Cabin Fever” and “Professional Pirate”).