Demolition (2015, dir. Jean-Marc Vallee)

A recently-widowed banker reassembles his life. Slight finding-yourself-again flick that does the usual things (wonky almost-romance, child mentor companion), except in a somewhat half-hearted way. A movie built around an idea for a single central scene.

Imperium (2016, dir. Daniel Ragussis)

A nerdy FBI agent goes undercover to thwart a fascist domestic terrorism plot. Standard will-he-get-found-out scenes and some clumsy storytelling mar this otherwise proficient thriller, which takes some time to explore a spectrum of neo-Nazi subcultures.

Hidden Figures (2016, dir. Theodore Melfi)

Early 60s. During segregation and the Cold War, black female mathematicians work behind the scenes at NASA. Hidden Figures is a great crowd-pleaser, deftly telling a civil rights history, a romance, and a race into space story. Highly recommended.

Patriots Day (2017, dir. Peter Berg)

Boston cops track the 2013 marathon bombers. Awkwardly-structured, and mechanically sentimental, but an undeniably effective fictionalised reconstruction. Heartfelt, and with a genuinely mesmerising interrogation scene, the film asks some good questions.