King Cohen (2017, dir. Steve Mitchell)

Documentary offering a career retrospective of writer/director Larry Cohen. And an utterly splendid thing it is too; Cohen is engaging and forthright, and a blend of clips, archive footage, and interviews underlines Cohen’s significance to genre. Well worth your time.

Army of One (2016, dir. Larry Charles)

A handyman believes he’s on a mission from God to kill Osama Bin Laden. Shrill semi-improvised comedy based on a true story, with Nicolas Cage turning in an unrestrained performance. Inevitably, a couple of good moments, but there’s a lot of shouting to sit through.

GoodFellas (1990, dir. Martin Scorsese)

The rise and fall of mob informant Henry Hill. Peerless, confident, cine-literate story of a generation of Mafia-related life, which stands also as a lesson in popular music, Italian cookery, and the storytelling possibilities of cinema. Magical from first frame to last.

Everest (2015, dir. Baltasar Kormakur)

Drama based on the ill-fated 1996 Hall/Fischer Everest expedition. Generally solid, respectful and well-acted mountaineering epic, slightly undone by over-use of CG and by some awkward directorial choices which rob the movie of tension.

Bill (2015, dir. Richard Bracewell)

Young Bill Shakespeare tries to make his fortune as a playwright, only to be involved in a Spanish plot. Splendid Pythonesque romp from the Horrible Histories/Yonderland team, ticking off all the Elizabethan gags in the folio.