Death Wish (2018, dir. Eli Roth)

After his wife is murdered in a home invasion, a mild-mannered doctor turns vigilante. Tonally-inconsistent remake of the 70s Bronson flick. Horror and black comedy elements along with the violent action, and flirtation with Willis/Kersey as psychotic. Not uninteresting in its way.

Want another opinion? Here’s Xussia’s take.

 

Mission: Impossible: Ghost Protocol (2011, dir. Brad Bird)

Ethan Hunt and his IMF team hunt down an extremist with a nuclear capability. More of a series of (admittedly fun and exciting) set-pieces than a movie as such, this fourth instalment is exhilarating while its on, but doesn’t leave a lasting impression.

Want another perspective? Here’s Lemonsquirtle’s POV.

Rampage (2018, dir. Brad Peyton)

A zoologist and a renegade scientist team up to stop genetically-enhanced animals rampaging. Perfunctory and slightly po-faced monster mayhem, with only Jeffrey Dean Morgan’s man in black entering properly into the tongue-in-cheek fray.

Proud Mary (2018, dir. Babak Najafi)

A crime syndicate-affiliated Boston hitwoman starts a gang war after protecting a child. A good central performance and some OK action anchor this very straightforward thriller in need of a stronger script less eager to make its protagonist sympathetic.

Deadpool 2 (2018, dir. David Leitch)

After the death of his girlfriend, Deadpool finds redemption in protecting a young mutant. Confident sequel with the same approach as before, mixing cartoony violence, baroque language and metatextual gags.

Ready Player One (2018, dir. Steven Spielberg)

A teenager battles an evil corporation in a quest to control a virtual reality game-world. Sporadically spectacular but narratively dull SF adventure which improves on the source novel but still lapses into pop-culture reference tickbox territory at its lamest.