Wheelman (2017, dir. Jeremy Rush)

A getaway driver finds himself in the middle of a double-cross. A lean, effective thriller that’s equal parts The Driver and Locke. Frank Grillo makes for a pleasingly ordinary protagonist. Shades of John Carpenter and Walter Hill throughout. Recommended.

Sing (2016, dir. Garth Jennings)

A hapless theatre owner tries one last time to save his dreams. Its hoary premise aside, and some charmless character design notwithstanding, this is a chirpy jukebox musical hitting all the right feelgood notes, with a handful of quality jokes.

Another opinion? Here’s Lemonsquirtle’s.

Judge Dredd (1995, dir. Danny Cannon)

Dredd is framed in a revenge conspiracy and loses his Judge status. Patchy first attempt at the iconic 2000AD character, with twice as many daft ideas as good ones. Some striking moments, though, and some still-impressive design and effects work.

1922 (2017, dir. Zak Hilditch)

A farmer is driven mad by a selfish decision. Period horror-drama based on a Stephen King novella. Anchored by a great performance from Thomas Jane and a feeling of grim inevitability. No surprises, but a well-mounted production.