Wheelman (2017, dir. Jeremy Rush)

A getaway driver finds himself in the middle of a double-cross. A lean, effective thriller that’s equal parts The Driver and Locke. Frank Grillo makes for a pleasingly ordinary protagonist. Shades of John Carpenter and Walter Hill throughout. Recommended.

Sing (2016, dir. Garth Jennings)

A hapless theatre owner tries one last time to save his dreams. Its hoary premise aside, and some charmless character design notwithstanding, this is a chirpy jukebox musical hitting all the right feelgood notes, with a handful of quality jokes.

Another opinion? Here’s Lemonsquirtle’s.

Judge Dredd (1995, dir. Danny Cannon)

Dredd is framed in a revenge conspiracy and loses his Judge status. Patchy first attempt at the iconic 2000AD character, with twice as many daft ideas as good ones. Some striking moments, though, and some still-impressive design and effects work.

1922 (2017, dir. Zak Hilditch)

A farmer is driven mad by a selfish decision. Period horror-drama based on a Stephen King novella. Anchored by a great performance from Thomas Jane and a feeling of grim inevitability. No surprises, but a well-mounted production.

Star Trek: Beyond (2016, dir. Justin Lin)

The Enterprise is destroyed by an alien race seeking a device that will allow them to attack the Federation. A pacy, light, though ultimately disposable third instalment of the alt-timeline Kirk adventures. Feels like an expanded TV episode; not altogether a criticism.

Let Her Out (2016, dir. Cody Calahan)

A young woman finds she is possessed by her unborn twin, growing as a tumour in her brain. Grubby little horror pic with decent gore effects, but with a glum premise, iffy interior logic, a queasy and wholly unjustified focus on rape, and an unravelling storyline.

Finders Keepers (2014, dir. Alexander Yellen)

A child of divorced parents becomes possessed by a demonic doll. Clumsy horror unable to deliver on scares, gore, dread, or much interior logic despite a mounting body count and a decent supporting turn from Tobin Bell. Meh.

Jurassic Park III (2001, dir. Joe Johnston)

Alan Grant is lured to Isla Sorna to help find a missing child. Contrived but watchable threequel which wisely ditches the spectacle of the first movie and focuses on delivering effects-driven chase-based monster mayhem, with a few good jokes.

The Babysitter (2017, dir. McG)

A bullied teen finds his babysitter is the head of a satanic cult. Enjoyable horror-comedy with plenty of splattery jokes, a generally light touch, and engaging playing from its leads. Frothy but fun.